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Shows

Date Event Location
 —  — Artistic Retreat with CTB Denver, CO Denver, CO
 —  — CTB residency Crested Butte, CO Crested Butte, CO
Tony Kieraldo Blowing Rock, NC Blowing Rock, NC
Ed Grossman Helsinki Hudson, Hudson, NY Helsinki Hudson, Hudson, NY
Postmodern Jukebox THEATRE AT WESTBURY, Westbury, NY THEATRE AT WESTBURY, Westbury, NY
Postmodern Jukebox ANDERSON CENTER FOR THE PERFORMING ARTS, Binghamton NY ANDERSON CENTER FOR THE PERFORMING ARTS, Binghamton NY
Postmodern Jukebox BERGEN PAC, Englewood, NY BERGEN PAC, Englewood, NY
Postmodern Jukebox STADIUM THEATRE, Woonsocket, RI STADIUM THEATRE, Woonsocket, RI
Postmodern Jukebox MAJESTIC THEATER, Gettysburg, PA MAJESTIC THEATER, Gettysburg, PA
Postmodern Jukebox PALACE THEATRE, Syracuse, NY PALACE THEATRE, Syracuse, NY
Postmodern Jukebox THE WILBUR THEATRE, Boston, MA THE WILBUR THEATRE, Boston, MA
Postmodern Jukebox COLONIAL THEATRE, Keene, NH COLONIAL THEATRE, Keene, NH
Postmodern Jukebox PARAMOUNT THEATRE, Rutland, VT PARAMOUNT THEATRE, Rutland, VT
Postmodern Jukebox GARDE ARTS CENTER, New London, CT GARDE ARTS CENTER, New London, CT
Postmodern Jukebox WATERVILLE OPERA HOUSE, Waterville, ME WATERVILLE OPERA HOUSE, Waterville, ME
Postmodern Jukebox COUNT BASIE THEATRE, Red Bank, NJ COUNT BASIE THEATRE, Red Bank, NJ
Postmodern Jukebox MAYO PERFORMING ARTS CENTER, Morristown, NJ MAYO PERFORMING ARTS CENTER, Morristown, NJ
Postmodern Jukebox ZOELLNER ARTS CENTER (LEHIGH UNIVERSITY), Behtlehem, PA ZOELLNER ARTS CENTER (LEHIGH UNIVERSITY), Behtlehem, PA
Postmodern Jukebox PLAYHOUSE, Ridgefield, CT PLAYHOUSE, Ridgefield, CT
 —  — CTB resdiency Vail, CO, Vail, CO Vail, CO, Vail, CO

Latest News

Milk Money - PMJ - Beirut 

I write from the balcony of my hotel room on the 15th floor of the Smallville Hotel in Beirut, Lebanon. I'm here working with NDI training musicians for a dance program in Lebanon called Dance by C.L.E.S. Kay Gayner and I are working in 5 school in and around Beirut where we are helping the dance teachers and musicians prepare for their end of year performances.

Lebanon is filled with history and culture. It has been truly eye opening and incredible to work in these schools, with these children and teachers and getting to explore Beirut the past week. There is one more week of training and performances and we finish the coming Thursday. My fiancé, Chloe is set to land in a couple of hours and I just got off of FaceTime with my gorgeous daughter Louise. It's been the longest we've been apart and that has been one of the most challenging parts of the past 4 months. 

Thank you to everyone who's been following my journey and especially everyone who backed my Indiegogo campaign for my first album, Milk Money. It was a blast recording and producing that album which culminated in an album release party at Club Helsinki a day after my birthday on January 12th. My friend from high school, Jon Singer and his group the Xylopholks joined me and it was a special and memorable night of music. If you haven't checked out the Xylopholks, do so. They're incredible musicians and the music is amazing, if you like furry animals playing ragtime music that is. Even if you don't, it's awesome!

The day after the show, my mom, Chloe and Louise and I went out to brunch at one of my favorite brunch spots in Hudson, Rivertown Lodge. During brunch I received a text via Facebook from my friend from high school, Jesse Elder asking me if I'd like to go on a 6 week tour of Europe with the band, Postmodern Jukebox. I was floored and excited! It took some rearranging of my schedule, incredible support from my fiancé Chloe and understanding from my family (I had to miss a family trip to Sedona, AZ to be able to go on tour) before saying yes. 

The next week however I was set to fly to Aspen, CO to work for CTB, another dance company I work for there so I was going to be gone for 2 1/2 weeks, get back to Hudson for 5 days, fly to Los Angeles for 3 days of rehearsals and then fly to London to play 32 shows in 6 weeks with PMJ all over Europe. I'll save how that experience was for another blog but in short, it was absolutely incredible and amazing making music with world class musicians in front of thousands of people and experiencing different foods, languages and cultures for 6 weeks. Life changing.

While we were in Switzerland, I got an email from my friend and colleague of 15 years, Kay Gayner from NDI asking if I'd be interested and available to come to Beirut, Lebanon and work from April 1st - 11th for a training. The timing of it couldn't have been better, though it would then keep me another 2 weeks from coming home and being away from my family. My last date of tour was March 30th in Helsinki, Finland and I was scheduled to return to the states on March 31st. Instead of flying back to NY, I booked a ticket to Beirut via Moscow on Aeroflot, Russian air.

I woke the morning of the 31st in Helsinki, spent 8 hours in the Moscow airport and landed in Beirut close to 2am Monday morning. I began work Monday morning at 9am and the next thing I new I was working in schools in Lebanon. 

I'm incredibly grateful for all of these opportunities and for everyone who is following my journey.

Next weekend I am taking Chloe to Byblos, the oldest continuously inhabited city on earth dating back 7,000 years BCE. It has been inhabited by 24 different cultures, paper was invented there as well as the alphabet. It was also where the Bible was written, hence Byblos–Bible. The journey continues and we return the following Tuesday where I'll be back in Hudson, finishing up working with Harmony Project, an after school program I work for and.....getting married to my love on May 25th!

8K in 15 Days 

I'm sitting at a cafe called Barista's in Portland, OR next to my love, Chloe Caldwell. It's my first time in Portland or the Pacific Northwest. The gray sky and misty rain hold a dark beauty to them. When the sun cracks through the clouds it's a welcome warmth. I'm in Portland visiting Chloe's friends and family and also playing a show this Sunday with my dear friend from college, Mike Gamble at a club called No Fun. I think it's going to be fun, contrary to the club name. If it's not, I'll understand.

In other big news, with the help of my family, friends and fans I raised $8,000 in 15 days on Indiegogo, a crowdfunding platform to cover expenses for my new album, Milk Money!! I'm so incredibly thankful to everyone that backed my album and excited that I reached my goal 3 days before the campaign ended. I could seriously have never done it without all of you and am stoked to share this music with you and everyone that discovers it. With the recording and crowdfunding done, it's on to the production part of finishing the mixes, mastering, licensing, printing and distribution.

Record Album: check
Crowdfund: check
Release music: in process 

A big part of this project is understanding the process of obtaining the licensing and release fees associated with making an album. There's a lot that goes into it that I've only been a part of on the peripheral side of things. Understanding the process of what goes into making an album, especially an album with songs that are not your own or in the public domain can be at times, overwhelming.

Thankfully I'm working with a really helpful online company, easysonglicensing.com in learning how to navigate these business hurdles. The representative, Aaron that's been helping me so far has been really helpful, knowledgeable and communicative. 

________________


I'm loving the Pacific Northwest air. It's clear, fresh and possibly a little rejuvenating, especially when the sun pokes through the clouds. When it's overcast it feels depressing af. Jk, though I think days of days of that it could get that way. I guess it gets like that on the east coast so what the hell do I know. People are much friendlier and nicer here. You don't feel guilty for ordering a coffee and there's much less honking from cars.

Portugal, Proposal and New Music 

The sounds of Portuguese conversations and slow rolling suitcases down old clay cobblestone streets pave the soundscape from my 3rd floor Air BnB in the historic Alfama district of Portugal 🇵🇹. My beautiful girlfriend, Chloé Caldwell of a year and a half is taking a nap in one of her new jump suits in the small bedroom as I type on my MacBook with the French doors open on a little circular wooden table. She gave me one of the most incredible surprises of my life last night as we were strolling down the Lisbon streets.

We were walking through a little courtyard that had one orange tree with green fruit poking out of a square in the pavement, tiled buildings, potted plants and a tiled bench. She said, "Let's sit on this bench for a minute," pointing to a blue and white tiled bench. "When do you ever get to sit on a tiled bench," she joked. Or a bench at all for that matter. We haven't seen many benches walking around Lisbon thus far. Sounds good to me, I thought. We've got no place to be and it's an absolutely gorgeous night. "Why don't you relax and have a cigarette and enjoy yourself," she said. Cool! I started smoking a little in Europe again because it just feels like the thing to do and I enjoy it from time to time. It's not as taboo here as it is in the states even though half the packaging of cigarette packs has a person in cardiac arrest with probably some words that read in Portuguese, "Smoking kills." 

Chloe handed me her iPhone which was opened to a page on her notes app. The glow of cell phone light struck my face as I began to read. "I just came up with this today. Read it to the very end," she nervously, nonchalantly instructed as I began reading the beautiful letter she had written me. I got to the end and the next thing I knew she had asked me to marry her in the letter and she had an open box with a ring in it. OMG!!! I was shaking and crying and said YES!! I couldn't believe it and was over the moon happy. I have never heard of a woman asking the man to marry her. It felt perfect and right and SO us. The handmade hammered titanium ring with a blue lapis band made by an artist in Grand Junction, CO fit perfectly on my ring finger. We held hands and walked the night streets of Alfama to find a bottle of red wine to celebrate. 

Over the past couple of days we have slowly walked the old windy and hilly streets of Lisbon, in awe of this unique port city; from its red clay roofs to its cascading pink and magenta flowers that fall from its walls and windows, from old yellow open air cable cars to women of all ages selling "ginja", a sweet red liquor on card tables in the old streets for 1 € a shot. I find the narrow meandering streets of the Alfama district a somewhat fitting metaphor for the meandering though not always narrow way life unfolds. Especially after a perfect proposal like the one I received from my love, Chloe Caldwell.

What brought you to the Hudson Valley?, was a question everyone in the cast of The Mother of Us All, an opera I musically conducted in the fall of 2017 was asked within the first week of rehearsals. Bard College was many people's answers. Divorce, was my short answer. Being on the other side of the opera and the divorce, not that there's a parallel there or anything, has taught me a lot about responsibility, dedication, perseverance and what I'm capable of. If I could raise a daughter, go through a divorce and conduct a critically acclaimed opera without totally falling on my face there's a lot more that I could do. Getting married again after all the knowledge I gained from my previous one and creating an album under my name were on the top of the list.

Milk Money is an album of myself playing piano while simultaneously playing a wooden octagon shaped bass drum that I sit on and play with my right heal and a high-hat with my left foot. It's an album of cover songs,1 original rag and a couple mashups of a couple of my favorite rap songs mixed with a Bach Prelude and a Beethoven Sonata. It also features various singers from different backgrounds, styles and ages. From Ryder Cooley, a goth like visual and trapeze artist as well as lead singer of the Dustbowl Ferries where she plays accordion and the saw, to Ella Loudon, a brilliant actress originally from England who's mother is a jazz singer and father a well known actor, to Christina Kokinis-Viggers, a naturally born singer who runs a local theater company and had a viral video hit of her singing karaoke at a Sam's Club to Tommy Stinson, a dear friend and bass player from the Replacements and Guns N' Roses and lead singer of Bash & Pop to my 8-year-old daughter, Louise.

I wasn't sure how this album was going to be recorded or what it was going to be called. I wasn't sure what songs were going to be on it or if I could learn all the material on it. I only knew that it had to happen before leaving with my honey to Portugal and Spain on September 12th of 2018. 

July of 2018 was spent musically directing for NDI (National Dance Institute) in the Catskills of New York and CTB (Celebrate the Beat) in Aspen and Vail, CO. While in Aspen, after visiting one of the 8 weed dispensaries after work, I took the shuttle bus into town and found a corner of a French cafe at the base of Aspen mountain and started creating a timeline for what I'd later call, Milk Money. Shit!, I thought to myself. This could actually happen! By the time I put most of the dates into the calendar the cafe was closing. I was high, hungry and stoked!

Christina was the first person I called about recording. We played phone tag for about a week or so before finally connecting while I was practicing up in the music room of the Aspen Community School in Woody Creek, CO. She sounded excited and into it. She also said that our friend, JD Urban, a talented and motivated videographer would be into video recording it as well. "Great idea!," I said. I texted Ella shortly after that who is almost always down for anything. We've played some open mics in the past and I had her audition for The Mother of Us All which funny enough, ended up landing our photos in the NY Times. Ryder and I met at Motto, a coffeeshop in Hudson, NY and she also sounded genuinely excited. I thought her soft unique voice would be perfect to sing, "Highway to Hell" and "Karma Police". Tommy also said he was down though I knew would be a wild card since he was in and out of town a bit from touring. Tommy was the one who really helped form the shape of how Milk Money would be recorded. "Man, why don't you just do it in the club and not mess around with figuring out how to try and record it yourself," he called to tell me while I was practicing about a week before recording. "You can also borrow a couple of my mics." Jesus! That's a great idea. Ok and thanks so much!

Labor Day fell on Monday, September 2nd which was spent at Club Helsinki with sound man, Mike Schoonmaker, videographer, JD Urban and makeup artist William Sasek and all the singers at various times. It was a long ass day and by the end we captured some great music and had some awesome moments. My daughter Louise started off the day recording 3 takes of Tom Petty's, Free Fallin'. Ryder  Cooley followed singing, Highway to Hell and Karma Police wearing different costumes playing with the mood and vibe of the tunes while also drinking some oat milk she had brought. Christina Kokonis-Viggers continued with a jazzy ragtime version of I Wanna Dance with Somebody with her beautifully big voice. Ella Loudon showed up around 5 and later recorded Lennon and McCartney's, We Can Work it Out after coming back from finishing her summer residency of As You Like It with Shakespeare and Company. The bottle of Buffalo Trace bourbon I bought for the day was a prop that was consumed by Ella during these takes and led to some hilarious moments. Tommy Stinson texted around 9 and said he'd be there in 20 minutes. He came to Helsinki a bit "in the cups" as he sometimes puts it and we took a couple takes of him singing the Marshal Crenshaw classic, You're My Favorite Waste of Time. I was exhausted by the end of the night as well as excited and thankful that I recorded everything I wanted to with these amazing people.

The next Wednesday was spent recording alone. I had 8 songs to record and only that day to record them. Most of the songs I could play though some I had never played straight through without making huge mistakes. Black & White Rag, rag written in 1908 by George Botsford was the first song recorded. It took me about 2 1/2 hours to record it as one take. I recorded the rest of the songs in this fashion, some not taking as long and others taking about the same amount of time. 1am rolled around and I was finally finished after an exhausting and mentally taxing day living off of garlic hummus, carrot juice, coffee and Triscuits.

After an amazing vacation to Lisbon and Barcelona, I returned to Hudson for a minute to do laundry and see my daughter Louise for a few hours and take her to her soccer game with my now fiancé Chloe. I caught an Amtrak from Hudson to Philadelphia where I worked with Ballet X for the next week. Friday night I caught a plane to Denver and drove to Crested Butte on Sunday to musically direct for the non-profit dance company, Celebrate the Beat. I finally returned home Friday, October 5th around 1:30am, ready to attend and play a wedding the following day. 

It feels great to be back in Hudson and getting back into the swing of things. Tommy Stinson is helping me with the recordings of Milk Money, my daughter Louise is in 3rd grade at a new school and I started teaching again both privately and for Harmony Project Hudson. I'm also in the midst of my first crowdfunding campaign for Milk Money. Please consider backing this album if you're so inspired.

Thanks for reading! Mais Amor!